During our 10-minute chat, thanks to his rapid-fire talking, Winterbottom discussed his team’s script collaboration process, 21st-century architecture, the challenges of futuristic filmmaking, and ...

Perhaps the best thing about science-fiction movies is that, by definition, they stem from a matrix of ideas. The latest offering by the indefatigable, workaholic British filmmaker Michael ...

Code 46 is a love story set in a future where people with similar DNA are prevented from conception. It's such a problem that prospective parent's must undergo tests before conceiving in order to ...

Code 46: Science fiction romance. Starring Tim Robbins, Samantha Morton. Directed by Michael Winterbottom. Written by Frank Cottrell Boyce. (R. 93 minutes. At the Lumiere). "Code 46" imagines a future ...

CODE 46. With Tim Robbins, Samantha Morton. Director Michael Winterbottom. At the Angelika (1:32). Rated R: Frontal female nudity. 2. 5 Stars. Michael Winterbottom’s provocative, if occasionally ...

So last night was movie night for the GF and I. We had mutually agreed that <I>Code 46</I> looked like it held some promise.<BR><BR>The premise is simple. It's set in your typical near-future, as ...

The muted atmosphere of “Code 46” is unlikely to satisfy science-fiction buffs or romance fans. Yet this movie falls across both categories in a mind-stimulating way. The picture is set in a ...

Mitch Goodwin does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond ...

A SCI-FI romance-noir that's all eerie mood, grainy digital images and barren landscapes, "Code 46" has a strange mystique -- like a fever dream you can't dispel. And with the odd pairing of Tim ...

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so ...

”Code 46” has a noirish fatalism that renders it a close cousin to ”Blade Runner,” but Winterbottom’s film, shot mostly in the light, uses the theme of memory erasure to peer into the eternal sunshine ...