Constative on MSN
The Timothée Chalamet ballet-opera controversy: Are we still allowed to say what we think?
The comparison between arts—the act of trying to weigh them on a scale and declare one the winner and the other the loser—has ...
Performances in N.Y.C. Advertisement Supported by Critic’s Pick Charles Edwards’s deceptively traditional, exceptionally sung production of Bellini’s “I Puritani” makes space for its stars. By Joshua ...
People think opera and ballet isn’t for them – that it’s elitist, expensive and intimidating. Institutions need to change that perception, argues Base Design’s Thierry Brunfaut.
The London institution is creating “RBO/Shift,” a technology festival whose first year will ask how far A.I. can push the boundaries of opera. By Farah Nayeri Reporting from London As an art form, ...
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