Despite certain remarks from Timothée Chalamet, musicians like Rosalía, Beyoncé, and Raye are helping fuel a resurgence of the genre and its aesthetic.

Performances in N.Y.C. Advertisement Supported by If opera at its best aspires to a different world, then we need to cultivate an anti-elite approach to how it is created and performed. By Yuval Sharon The director Yuval Sharon is the author of “A New ...

The final round featured 10 singers performing one aria each accompanied by The Dallas Opera Orchestra. Mrs. Eugene McDermott Music Director Emmanuel Villaume conducted. Repertoire included works by composers such as Verdi,

The Jacobs Opera and Ballet Theater will perform Jules Massenet’s “Cendrillon” this Friday and Saturday night at the Musical Arts Center. The productions, at the Musical Arts Center, will feature two casts, and an “Opera Insights Lecture” presented in the North Lobbyan hour before each performance.

In an attempt to find new audiences and save money, opera companies are ‘throwing spaghetti at the wall’ to see what sticks. It often works

Andrew Hiers, a classically trained opera singer, turned to selling cars after struggling to find singing gigs. Then he decided to merge the two.

Timothée Chalamet beefing with the Metropolitan Opera, LA Opera and Royal Ballet was not on anyone's 2026 bingo card. Chalamet, 30, raised eyebrows after making an off-handed comment about the

In his book on reinventing opera, director Yuval Sharon describes “Tristan und Isolde” as “the single hardest work in the traditional repertoire to stage.” Yet here he is, about to make his Metropolitan Opera debut at the helm of a new production of Richard Wagner’s epic love story.